Abstract:
In the context of the eighties of last century 's poetry is the opposite Eugen Cioclea starks the lyrical generation of the seventies. The poet defies the ars poetica centred on the reflexive language, on the magic of the sound, on metaphor and global symbol, on messianic visionary, on Orphism and on metaphysics and transcendence. Elements of "Poetry and Modern", displayed programmatically through commonplace, vitalism and gigantism, essences impregnated ironic. Cioclea language relies on transitive, transparent, shaken by metaphors.
