Abstract:
Melodiousness has its apartness among all the structural patterns of a poetical work. The word with its phonemic structure, articulated with the relations of all the connections within a verse, creates melodic-semantic fields that frame the message of the work to unpredictable expressive degrees when the poetic ego captures himself to have a liking to enticing prospects which exceeding alluring horizons suggestive metaphor or symbol. A kind of such a lyrico-musical structure can be attested especially in the poetry of Gr Vieru. Thought in his poetry energizes the word, provides it with a second life that is phonemic, lexical and semantic, which means that it, the word, adopts a relational order of multiple, polyvalent, plural kind. The phenomenon is observed not only in texts worked out especially for certain musical compositions, but also in the rest of the poems, the revealing suggestive effect is inconceivable without the presence of the musical catalyser.
