Abstract:
This work studies artistic expression in the artistic movement, exploring the art form of choreographic language. The choreographic language consists in the absence of a word, which is indisputably its advantage and due to which the artistic choreographic (plastic) expressiveness of the movements develops. The existence of signs and sign systems in choreographic art usually takes place according to the scheme: "dance-communication-language-sign". The problem of communication appears in choreographic art as a problem of perception of a choreographic work / work. Only a person who speaks the language of choreography can join the analytical process, namely the perception of the choreographic work.
