Abstract:
This article examines the poetry of Pan Halippa, who, like Alexei Mateevici or Ion Buzdugan, started from a special understanding of the canons of poetics. The Bessarabian poets of the Union generation, as well as the Ardelians on the other side of Romanianism, were constantly concerned with the national idea, the ardent ethics, the continuation of a trenchant direction of direct, mimetic poetry based on the way of transfiguration classicizing convention, the poetics of sight, the transitive language. In an essentialized formula, Halippa's poetry is an adaptation of romanticism to samanitorism.
