Prototipul și icoana în arta sacră

Show simple item record TAMAZLÎCARI, Cristina 2022-02-08T09:37:15Z 2022-02-08T09:37:15Z 2021
dc.identifier.citation TAMAZLÎCARI, Cristina. Prototipul și icoana în arta sacră. In: Probleme ale științelor socioumanistice și modernizării învățământului : Materialele conferinței științifice internaționale cu participare internaţională, 26 martie 2021, Seria 23; Tipogr. UPS "Ion Creangă", Chișinău, 2021, Vol. 1. pp. 277-280. ISBN 978-9975-46-559-5. ISBN 978-9975-46-560-1 (Vol.1). en_US
dc.identifier.isbn 978-9975-46-559-5
dc.identifier.isbn 978-9975-46-560-1
dc.description.abstract In the Byzantine iconography a standardization of the forms of the saints was created, especially of the facial features. The form of representation of each Saint is fixed, and varies to some extent, depending on the icon. These standardized, fixed shapes are called prototypes. Icons are usually called images made on a hard surface (mainly on lime wood covered with primer - gesso). The Seventh Ecumenical Synod formed the main directions of representation in iconography, which to this day continues its tradition in Christian countries. Byzantine art from the beginning and forever is principally - anthropomorphic. The prototypes of Byzantine iconography are the result of centuries of searching for the plastic concept and the application of the most successful principles. The fact that Byzantine iconography faithfully followed the old prototypes, as they developed, preserved the authenticity of the initial representation and freshness of the icons of the century, with certain identity, stylistic imprints of each era or geographical area. en_US
dc.language.iso ro en_US
dc.publisher Universitatea Pedagogică de Stat "Ion Creangă" en_US
dc.subject Anthropomof en_US
dc.subject Byzantine Icon en_US
dc.subject Authenticity en_US
dc.title Prototipul și icoana în arta sacră en_US
dc.title.alternative The prototype and the icon in sacred art en_US
dc.type Article en_US

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