Abstract:
Could there be said anything new about Mihail Sadoveanu? New ways of visiting the great interwar author are possible at any time: other stylistic approaches, new thematic and typological interpretations, diachronic and symbolic-imaginative re-evaluations and fresh rehearsals, whenever welcomed, and new aspects of his texts based on new connections and recontextualizations. The attempt to exemplify the way in which Sadoveanu’s characters love is a proof in this way.
