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| dc.contributor.author | PORT, Sergiu | |
| dc.contributor.author | TRIFAN, Veronica | |
| dc.date.accessioned | 2018-12-05T15:10:42Z | |
| dc.date.available | 2018-12-05T15:10:42Z | |
| dc.date.issued | 2017 | |
| dc.identifier.citation | PORT, Sergiu; TRIFAN, Veronica. Secțiunea de aur în muzică. In: Probleme ale ştiinţelor socioumanistice şi modernizării învăţământului: materialele conf. şt. anuale a profesorilor şi cercetătorilor UPS „Ion Creangă”. Univ. Ped. de Stat „Ion Creangă”; coord. şt. Ig. RACU, col. red. A. VERDEŞ [et al.]: [in vol.]. Chişinău: S. n., 2017 (Tipogr. UPS „Ion Creangă”), vol. 2 (seria 19), p. 157-162. Bibliogr.- 8 titl. | en_US |
| dc.identifier.uri | http://hdl.handle.net/123456789/1195 | |
| dc.description.abstract | The study of the great works of the universal culture, the creation and perfect relations of complementarities or harmony of these was the subject of both artistic and scientific analysis. Thus, one of the most interesting cases of interference between science and art refers to proportionality. Behind mystical names such as golden section, golden ratio or divine proportion, we find a building pattern which always sparked debate, being spread widely, from various structures of nature to many outstanding artistic achievements that include creation of architecture, art and music. | en_US |
| dc.language.iso | ro | en_US |
| dc.subject | Leibnitz--muzică | en_US |
| dc.subject | Secțiunea de aur --muzică | en_US |
| dc.subject | Béla Bartok--pianist | en_US |
| dc.subject | Claude Debussy--secțiunea de aur | en_US |
| dc.subject | Pitagora | en_US |
| dc.title | Secțiunea de aur în muzică | en_US |
| dc.type | Article | en_US |
