REPOZITORIU UPSC

Evoluţia emailului artistic în arta universală

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dc.contributor.author BRIGALDA, Eleonora
dc.date.accessioned 2018-11-01T17:43:00Z
dc.date.available 2018-11-01T17:43:00Z
dc.date.issued 2015
dc.identifier.citation BRIGALDA, Eleonora. Evoluţia emailului artistic în arta universală. In: Probleme ale ştiinţelor socioumanistice şi modernizării învăţământului: 75 de ani de la fondare: materialele conf. şt. anuale a profesorilor şi cercetătorilor UPS „Ion Creangă”. Univ. Ped. de Stat „Ion Creangă”; coord. şt. Ig. RACU, col. red. C. PERJAN [et al.]: [in vol.]. Chişinău: S. n., 2015 (Tipogr. UPS „Ion Creangă”), vol. 3 (seria 17), p. 225-231. Bibliogr.- 5 titl. en_US
dc.identifier.uri http://hdl.handle.net/123456789/1155
dc.description.abstract Enamel art, originating from Asia and applied widely, known since antiquity, passed from India to Egypt and experienced periods of appreciation and disgrace period. Enameling process enters Europe through migratory peoples, Etruscans and Greeks. In the Middle Ages used enamel art Byzantine craftsmen and the Renaissance of Venetian glassware. Enamel art knows a spectacular flowering in the XV-XVI centuries. The most important center of enameling was the French city of Limoges. Spread was the artistic and enameling process in the XVII- XVIII centuries in France, England and Germany. In the nineteenth and twentieth century’s border enamel technique was preferred by artistic movements Art Nouveau (1890-1910) and Art Deco (1920-1930), whose works have subsequently reached fabulous art trade prices. en_US
dc.language.iso ro en_US
dc.publisher Universitatea Pedagogică de Stat “Ion Creangă” en_US
dc.subject Arta universală en_US
dc.subject Email artistic en_US
dc.title Evoluţia emailului artistic în arta universală en_US
dc.type Article en_US


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